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January 2004
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British Premiere
at Birmingham School of Speech and Drama
We
would like to thank Rogelio Nevares Guajardo and the Birmingham
School of Speech and Drama (recently renamed the Birmingham
School of Acting) for his offer of 2 tickets for the price
of 1 for the students’ performance of the British Premiere
of Ludmila Petrushevskaya’s Music Lessons at the Crescent
Theatre. I asked two members for their comments, and this
is what Nicholas Smith wrote:
“The
performance was in a very small room, seats on three sides,
only three or four rows of seats, mostly taken by fellow students
or their friends. My wife and I felt quite out of place, the
oldest people there by far except for a very strange old chap
in a formal suit who seemed to be a sort of minder from the
KGB who now works for the BSSD to watch the students.
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The play did
seem to reflect the realities of life in Russia, and some of the
situations would have been lost on some of the audience (residence
permits, for example). The scene changes were not always clear enough
to tell me whose flat they were in, or if they were outdoors. But
the real problem was that almost every member of the cast smoked
almost non-stop in an unventilated room”. This caused such
a problem for Nicholas that he had to leave early.
On the positive
side, Nicholas comments that “The acting was very good, and
I am sure that we will see these students on stage before a wider
audience for many years.”
Stella Sims
comments “I'd just like to say that I thoroughly enjoyed it!!
I thought the acting, staging and music were all excellent, appropriate
and enhancing in that order. The overall atmosphere, in relation
to my experience of Russia, was understandably 'edgy', negative
and sparse- giving a rather depressing but authentic view of lives
which were so fundamentally unsatisfactory. The whole play 'hung
together' admirably without unnecessary and boringly standard scene
changes which would have broken up the flow and rhythm of the piece.
The plight of the characters was matched by the effectiveness of
both the casting and acting in what was, inevitably a limited set
and space. As a fervent non-smoker, I would have welcomed a warning
about the smoking of certain characters - and its proximity to the
front row where I was sitting. It certainly did prove uncomfortable
but I felt able to accept the need for realism without leaving on
account of the physical atmosphere. The play was too interesting
and stimulating for me to resort to that!!
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